Royal Academy London 2015
/Royal Academy 2015
Read MoreFinal weeks painting in the resident artists's studio at the Albers foundation in Connecticut USA
The Albers Foundation in Connecticut USA, founded in 1971, is devoted to preserving and promoting the enduring achievements of Josef and Anni Albers, and the aesthetic and philosophical principles by which they lived.
'The Foundation maintains residence studios for select visiting artists exemplifying the seriousness of purpose that characterized both Anni and Josef Albers. No aesthetic connection to the Alberses' work is necessary; only the intention to work in a concentrated way on one's art in idyllic conditions at a remove from the art world'.
During April and May 2015 I have been invited to work in one of the Foundation's studios, where previous British artists in residence have included Ian McKeever, Michael Porter, Rebecca Salter and Ian Davenport.
The opening event of 'Vital Signs: work on paper by 12 London Artists' at Clifford Chance Gallery began with a talk by Catherine Lampert about this group of painters. The exhibition continues until 24 April in London before travelling to a number of venues in Italy during Autumn 2015.
Vital Signs | 12 London Artists 2015
Read MoreAbstract critical June 2014
Read MoreExhibition review by Andrew Lambirth 29 March 2014
Luke Elwes Adam Gallery, 67 Mortimer Street, W1 | John Street, Bath, until 28 March | 29 March until 16 April
By way of spiritual respite, I would like to mention an exhibition of the latest paintings on paper by Luke Elwes (born 1961). These are being shown in the Adam Gallery’s new London premises, whereupon they will transfer to the gallery’s Bath headquarters. Over recent years, Elwes has been developing a language of near-abstract touches of floating colour in shifting patterns, shattered and elliptical, like confetti on a cobbled pavement that is also a river. (If you’re looking for comparisons, the nearest I can come is to the American painter associated with the Abstract Expressionists, Mark Tobey.)
This flexible and evocative language has reached a new peak in a series of paintings made in Vermont during a month’s residency last year, exploring the wild landscape of the Green Mountains and the Gihon River that flows through it. The style and technique (a mixed-media secret closely guarded from his many would-be followers) is admirably suited to depicting the reflective and troubled surface of moving water, and Elwes puts all his skills to good effect in this magnificent new series. A source of contemplation in turbulent times: recommended.
This article first appeared in the print edition of The Spectator magazine, dated 29 March 2014
Novelist & journalist Vanora Bennett writes about the exhibition:
One of the best contemporary British painters I know of – a man fascinated by the physical environment he lives in and the effect that people have on it - is Luke Elwes. Naturally enough for an artist who draws his inspiration from the low-lying flatlands of Essex (which, over thousands of years, are slowly sinking into the sea like the rest of England’s east coast, while the western coast equally slowly rises) the subject he paints is water. His latest work – a series of 24 subtle evocations of a river, entitled Luke Elwes: Writing on Water - is currently exhibited at the Adam Gallery in central London.
Elwes’s water paintings, while always decorative and delicately painterly in their finish, have something disturbing about them too. The water whose ebb and flow he charts so poetically often swirls around abandoned doors and buildings – marks of human attempts to conquer the tides that have been abandoned. The blues, greens, greys and pinks of moving liquid ease smoothly around the sharp red-and-brown lines of the remnants of mankind's failures...
The Luke Elwes: Writing on Water exhibition is at the Adam Gallery, 13 John Street, Bath from 31 March to 16 April.